¡ÈVita Nuova¡É

              

                 To commemorate this new century and new millennium,

               I started to make ¡ÈVita Nuova¡É with marble from 2000.

              ¡ÈVita Nuova¡É means ¡ÈNew Life¡É in Italian. And this

              adventure started for a pure white marble.

                 I went over to Italy for a bianco carrara, white marble,

              which Michelangelo quarried for his work, but I couldn¡Çt

              find any milky white bianco carrara except small ones. I

              needed a big block enough for my work. Then, I found a

              pure white marble block sivec imported from Macedonia

              .

                 So, I went over to the Balkan Peninsula where was

              just bombed by NATO for ethnic conflicts in 1999, and I

              went north from Greece to Macedonia.

                  I could get a marble block sivec, 2.5 m, 5 tons, in Macedonia. But, in Macedonia,

              I couldn¡Çt buy tools for sculpturing a marble at specialty stores like in Italy. I had to

              forge my chisels from steel and harden them by myself, one by one.

                  It was more difficult for me to find a model in Macedonia. I had to go to Belgrade,

              the capital of Serbia, after revolution for democratizaition, to find a model.

                  In this way, I spent almost one year to prepare for my sculpturing. After that,

              I swung a hammer on my chisel forged and hardened by myself, until my venus came out

              from my marble block. I devoted myself completely to my sculpturing.

                  Four years had passed very quickly, I finished ¡ÈVita Nuova¡É in 2004.

              Sculpturing traces by chisels around her are one of my messages to modern sculptors.

              I believe sculptors who know sculptor¡Çs spirit understand me. People never understand me

              who ask me, ¡ÈWhy don¡Çt you use any machine?¡É We need consider again from the origin of

              sculpturing.

            

 

  ryota@koshika.net